Works
My works sit between music, moving image and contemporary audiovisual practice. They explore how sound, image, memory and meaning change when filtered through modern technology — from cameras, screens and archives to AI systems, compression and digital noise. Alongside my commercial work, these projects give space to slower, more personal questions about atmosphere, ritual, landscape and the strange tension between the natural and the synthetic.
Machines in the Garden
Machines in the Garden is a collection of five interconnected audiovisual works made over several years and brought together as a single body of work.
The series looks at what happens to images, sounds, rituals and symbols when they pass through modern technology: cameras, codecs, platforms, AI systems, algorithms, archives and screens.
Across the works, meaning is not destroyed by these systems. It changes shape — becoming compressed, repeated, distorted, detached from its original setting, and sometimes strangely intensified.
The pieces move through sacred imagery, lockdown-era tension, synthetic and natural worlds, attention, speed and culture. They are connected less by a single story than by a shared atmosphere: a world in which human symbols still matter, even when filtered through machines.
Lossy Gods
Symbols are pushed through digital processes until they become unstable and overloaded.
The Eve of Lockdown
A moment becoming charged with the tension of something about to change.
Ain’t Got Time For That
A piece about speed, distraction, genre and not having enough time for the important things.
Latent Domain
A work about latent patterns, machine interpretation and the strange beauty of images that feel almost recognisable.
Machine in the Garden
Natural and synthetic elements are placed in tension: landscape, technology, music and machine-made imagery.
Enter the full exhibition
View all five audiovisual works in the dedicated online exhibition space.